The stripping of the altars: traditional religion in England

At once a highly scholarly account of the period, a paean of praise for late-medieval religion as ordinary people experienced it, and a fascinating analysis of how an elite group used state power to impose an utterly different religion. This profoundly influential book re-examines events leading up to the Reformation in England and illuminates our understanding of the period. A prize-winning account, it recreates lay people's experience of the religion of the pre-Reformation church showing that late-medieval Catholicism was neither decadent nor decayed, but was a strong and vigorous tradition, and that the Reformation represented a violent rupture from a popular and theologically respectable religious system. For this edition, Duffy has written a substantial new introduction, including a discussion of the Lollards and reflecting on recent developments in Reformation studies. 'A mighty and momentous book ...which reorders one's thinking about much of England's religious past.' Jack Scarisbrick, The Tablet 'Duffy wants to show the vitality and appeal of late medieval Catholicism and to prove that it exerted a diverse and vigorous hold over the imagination and loyalty of the people up to the very moment of the Reformation. He succeeds triumphantly.'Susan Bridgen, London Review of Books 'A magnificent scholarly achievement, a compelling read, and not a page too long.' Patricia Morrison, Financial Times 'A landmark book in the history of the Reformation.' Ann Eljenholm Nichols, Sixteenth Century Journal 'This book will afford enjoyment and enlightenment to layman and specialist alike. Duffy sweeps the reader along ...by his lively and absorbing detail, his piercing insights, patient analysis, and his vigour in debates.' Peter Heath, Times Literary Supplement 'Sensitively written and beautifully produced, this book represents a major contribution to the Reformation debate.' Norman Tanner, The Times 'Deeply imaginative, movingly written, and splendidly illustrated.' Maurice Keen, The New York Review of Books